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Timing Your Run With LENA SCISSORHANDS From INFECTED RAIN

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If you are already a fan of Infected Rain then you are a connoisseur of heavy music. You are to heavy music, the equivalent of the highly paid French snob who recommends wines at very expensive restaurants. You are the Sir David Attenborough of heavy music, pontificating in a condescending posh English accent on a rare new species discovered in an exotic location. We bow down to your in-depth knowledge of all things HEAVY.

But let’s face it. You probably are not aware of Infected Rain like most of us plebs who have never heard of the country of Moldova, never mind this until now well-kept secret from there. And there is no shame in that. Until a few years ago their claim to fame was being voted best band at a festival literally called “Fuckin’FuckFest 3” somewhere in Eastern Europe!

With the band hotly tipped to tour Australia this year, now is the time to catch up with Infected Rain and discover why they are being championed by and invited to tour with likes of Behemoth, Dimmu Borgir, Obituary and Katatonia...

Moldovian metal hybrid Infected Rain are currently riding the wave of global acceptance that has been 16 years in the making.

Since debuting in 2008 the band have often been undervalued in an industry that too often rewards mediocrity, finding themselves caught in musical purgatory on many levels simply because they are a band almost impossible to pigeonhole or genre classify.

“Nothing is easy. If it was, everybody would have done it.”

Lena Scissorhands

In a world that is becoming increasingly sanitised and regulated, Infected Rain have always dared to be different.

To do things their way.

With a sonic intensity harnessing genres from progressive rock to electronica to nu-metal to out-and-out aggression, Infected Rain have steadfastly refused to conform but more or less forced the world to take notice with their acclaimed 2022 album Ecdysis. It was an album that broke down barriers for the band, opening them up to a new audience that were pounded into submission.

With the recently released successor Time expanding on the creativity and musicianship of its predecessor, Infected Rain are finally earning the respect they so richly deserve, with festival opportunities and high-profile support slots continuing the band’s upward trajectory.

HEAVY caught up with vocalist Lena Scissorhands to discuss the new album.

“We have just released our sixth album,” she smiled. “After all these years, it is quite a milestone for us. We started in 2008 in a very small country in Eastern Europe.”

Time was released just last Friday, so we start by asking Lena how the early reception has been.

“Very good so far,” she nodded. “More than we could expect. Great comments, great feedback. People are loving it.”

We ask her to take us deeper into the musical side of Time.

From the musical point of view, I think you want to talk to my musicians more,” she handpassed, “because they are more the composers of the instrumental parts. When they are ready, and they have a raw version of a song or a good chunk of an idea of a song, they often send it over so I can start thinking in that direction and see what inspires me and what I could adapt to that melody. To me, it’s just when I have the songs my task is to compose melody and upline lyrics I go based on how the instruments make me feel, and that’s how I choose what is the direction of the song and what lyrics I’m going to apply. We have something that we introduced for the first time on this album, which is an eight-string guitar. Some of the songs are recorded for eight-string guitar, and we’ve never had that before. Also, we have a new bass player. Even though she joined the band after the composing stage of the album, she recorded a big part of the songs. We’ve already been on tour together, and it feels really great.”

In the full interview, Lena talks more about the songs on Time, the eclectic nature of the music and making it cohesive, her transition from harsh to clean vocals and how much work is put into her vocals, the underlying theme of the album, pressures associated with following the success of Ecdysis, Infected Rain’s upcoming tour with Dragonforce and Amaranthe and more.

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