[et_pb_section bb_built=”1″ admin_label=”Section” fullwidth=”on” specialty=”off” _builder_version=”3.0.51″ background_color=”#0c71c3″ global_module=”34476″][et_pb_fullwidth_menu admin_label=”Menu #20″ global_parent=”34476″ _builder_version=”3.0.51″ menu_id=”66″ background_color=”#0c71c3″ submenu_direction=”downwards” fullwidth_menu=”off” background_layout=”dark” text_orientation=”center” dropdown_menu_animation=”fade” background_position=”top_left” background_repeat=”repeat” background_size=”initial” /][/et_pb_section][et_pb_section bb_built=”1″ admin_label=”section” background_image=”https://digi.heavymag.com.au/wp-content/uploads/sites/2/2017/01/14567414_1072667002782607_7139863446860752143_o.jpg” padding_mobile=”off”][et_pb_row admin_label=”row” custom_padding=”25px|0px|676px|0px” padding_mobile=”off” column_padding_mobile=”on” background_position=”top_left” background_repeat=”repeat” background_size=”initial”][et_pb_column type=”4_4″][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section bb_built=”1″ admin_label=”section” background_color=”#000000″ custom_padding=”1px|0px|1px|0px” padding_mobile=”off”][et_pb_row admin_label=”row” custom_padding=”71px|0px|59px|0px” padding_mobile=”off” column_padding_mobile=”on” background_position=”top_left” background_repeat=”repeat” background_size=”initial”][et_pb_column type=”4_4″][et_pb_image admin_label=”Image” animation=”left” /][et_pb_text admin_label=”Text” text_orientation=”center” header_font=”Rock Salt||||” header_font_size=”97px” header_text_color=”#d36187″ text_font=”Rock Salt||||” text_font_size=”77px” text_text_color=”#4f4f4f” background_position=”top_left” background_repeat=”repeat” background_size=”initial”]
Matt Young
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“It was awesome man, we had a great time,” enthused Matt Young, vocalist for King Parrot on their recently completed European tour with Exodus, Obituary and Prong.
“We went to a lot of places that we’d never played before and a lot of Eastern European countries like Romania and Hungary and Croatia and to get over there and play in front of those audiences was something that we never would envisaged when we started the band. The bands we toured with are obviously veterans of the scene that have been around for a long time and are bands that we all looked up to and grew up with so it was amazing to become friends with those guys and spend some time with them travelling around and seeing the way they operate. It’s never too much of a chore to get out there and go on tour. It is hard work, but it’s a lot of fun.”
Having toured the United States and Europe, King Parrot have been exposed to a number of musical cultures and organizations, and if there is one thing they have learnt from their touring that they feel could be taken on board by our Australian promoters and venues it is the one thing that Australians normally pride themselves on.
“The hospitality over there is exceptional,” Youngy quipped. “I think the way that the Europeans look after bands and probably even the Americans as well… I’ve done all sorts of different tours in Europe from small club shows to bigger venues and no matter where you play they want to cook for you or they’ll give you good food or a nice spread when you arrive and sort you out with accommodation and all those sorts of things. That is definitely better and a lot more respect goes to the bands as well which if adopted here in Australia would go a really long way. It’s something that’s certainly missing over here. That’s not to say that some promoters aren’t great but I find it’s more of a common thing in Europe. There’s definitely a better culture for live music.”
In their relatively short lifespan, King Parrot have worked tirelessly to the point where they are now considered the benchmark of Australian metal. With constant tours of this country and a number of overseas jaunts as well as live shows that leave nothing on the bench, King Parrot lead from the front and by example, with Youngy admitting the mantle is a little disconcerting for the five band members.
“I dunno, it’s kind of weird,” he stammered. “I guess you kind of notice it when you go out and people wanna come up and say hi and get a photo. It’s kind of strange because we never thought we would be in that position but now that we are it’s cool.
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“I always try and make myself available to people regardless of who it is: bands as well as fans. I love talking with other bands and talking to bands coming through the scene if they wanna ask me anything or want advice on how to approach a label or an agent or management. I’m always happy to do that because that was how I learnt. I asked questions and learned to be inquisitive about things and to put those years of learning into practice now, and I guess probably even ourselves to push it as far as we have, we’re always learning about different elements and things in the industry and the way things work. We’ve got a pretty good team around us with lots of people that wanna help us out so that’s been cool as well. Anything that I can help pass on I’m always happy to do it and I think the other guys in King Parrot would say the same thing.”
With the touring cycle for the outstanding Dead Set almost done, fans of the band are screaming out for new material, and Youngy says the band are more than happy to oblige.
“We’ve been jamming a lot,” he teased.”Before we went to Europe we had a couple of months off where we were jamming a bit. Earlier in 2016 and a bit of the year before we spent a bit of time writing and getting new material together and we’re sort of getting to the stage now where we’re pretty close. We’ve got most of the rough structures down for probably twelve or thirteen songs and I’m still getting some vocal ideas down. We’re gonna rehearse some more in January then we’ve got the tour with Psycroptic in February and we’re gonna aim to record probably in March, that’s the plan.”
After recording Dead Set at Phil Anselmo’s Nodferatu’s Lair Studio in Louisiana, Youngy says for the next album the boys are planning on putting their music in the hands of someone closer to home.
“I think we’re gonna do this one in Australia,” he said. “We felt like… we’re good friends with Jason that runs Goatsound Studios in Melbourne and he’s from Blood Duster and has been a good friend of ours for a long time. He did a bit of work on our first record and he’s built his own studio in Melbourne and is doing some really good stuff. Some of the recordings I’ve heard come out of there are exactly where I pictured he’d be going. He’s really developed his skills as a sound engineer and a producer and he’s expressed interest in working with us for this next record and I guess it’s much easier for us to go and record here in Melbourne than it is to go overseas. He knows what we’re trying to do. He knows the sound; he knows that Australian grindcore sound probably better than anyone so we’re stoked to be doing another record with him.”
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As for the sound and lyrical direction of the album, Youngy says there is little likelihood of things deviating from what fans know and love about King Parrot.
“I think our sound is pretty much our sound,” he deadpanned. “It’s probably not gonna deviate too much from what we’ve done previously because that’s just what we do. It’s like the whole AC/DC thing. You have your sound and you’re stuck with it and you just go with it. In terms of songwriting and structure and development of us as musicians it will hopefully improve and hopefully see us writing better songs. We’ve done some demoing of the songs already and the feedback we’re getting from our confidants is good man. There’s some pretty hilarious song titles on the new record so I’m looking forward to setting that loose on the public (laughs). There’s some good ones we’ve come up with and Squiz, our guitarist, is always coming out with these weird Australian colloquialisms or whatever they’re called. He’s always got something strange to come out with but we’re gonna keep that under wraps for now. We’re going to be playing a couple on the Thrash, Blast and Grind tour in February called ‘Entrapment’ and ‘Now it Stokes Frenzy’ but that’s all you’re getting out of me (laughs).”
The Thrash, Blast and Grind Festival is the latest addition to Australia’s metal festivals, with this one being the brainchild of Youngy and Dave Haley from Psycroptic.
Taking in capital cities and Newcastle, this festival caters for metal lovers with Youngy stressing that the ideas behind the tour are purely musically driven.
“We did a few shows with Psycroptic in North America recently and we had a great time,” he explained. “We hadn’t played together since 2013 so we decided this might be the time we did a tour again. The Psycroptic guys have a pretty good relationship with the guys from Revocation so we asked them if they wanted to be a part of it too. I guess we wanted to put something on that helped build a voice for the extreme music bands by putting on a mini festival type thing and travel around Australia with it. ”
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“Obviously there’s no Soundwave, there’s no Legion now so hopefully this helps fill the void with some of the extreme music bands. We’ve put something together that caters for everyone in the heavy music realm from grindcore to death to the more thrash kind of stuff. Whoretopsy and Black Rheno are two great new bands that have been doing some cool stuff and we felt that they deserved a spot on the lineup to get their stuff out to a more national audience.”
After the demise of Soundwave and the failure to get off the ground of Legion, Australian festivals goers are understandably cautious about newer ventures, but Youngy says that Thrash, Blast and Grind will hopefully restore some of that lost trust.
“Obviously we don’t have the aspirations of a Soundwave or a Legion,” he assured. “We’re all underground bands and this is kind of an underground festival. We like the fact that this… we’re not trying to do something that we don’t think we can achieve. We’ve put it in reasonable sized venues so we can get a great sound quality and things like that. We’d love to get the support of the Australian metal community. This is something we are just going to try and see how it goes and there’s no promise it will be ongoing but if it is something that works that people enjoy and we have a good time doing it we’ll definitely try again next year and see how it goes. For now we’re gonna run this one and have a good time with it.”
Written by Kris Peters
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Friday February 10th
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Brisbane
The Triffid
(Lic/AA)
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Saturday February 11th
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Sydney
Manning Bar
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Sunday February 12th
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Wellington, NZ
Valhalla
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Monday February 13th
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Auckland
Whammy Bar
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Tuesday February 14th
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Newcastle
The Cambridge
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Wednesday February 15th
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Canberra
The Basement
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Friday February 17th
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Melbourne
Max Watts
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Saturday February 18th
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Auckland
Whammy Bar
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Sunday February 19th
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Adelaide
Fowlers
(Lic/AA)
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Photo of Matt Young by Carl Neumann at Soundwave ’15.
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